設計盒子DESIGN BOX

|設計遊學|

新加坡知名設計師王勝傑、楊國勝、佘崇霖、鄭聒升、鍾瑞玲
聯袂成立的設計與研究工作坊全球招募愛徒！

新加坡一線設計大咖收徒啦！

由新加坡知名建築師與設計師成立的設計與研究工作坊面向全球招收愛徒，面對面授課

2018.8.05 - 8.10，3天密集的培訓課程與工作坊，2天新加坡著名建築物與設計空間考察

讓你掌握更強的設計技能與思維方式

• DESIGN & RESEARCH WORKSHOP設計與研究工作坊

一場思維上的創新求學之旅——DESIGN & RESEARCH WORKSHOP設計與研究工作坊即將拉開序幕，全世界的設計愛好者們皆有機會實地解讀世界著名“網紅”建築、親臨世界設計創意之都新加坡感受設計前線的魅力。新加坡DRB設計與研究所組織成立設計與研究工作坊，邀請到新加坡知名建築師、設計師為工作坊導師，為有目標、想不斷自我挑戰的設計從業者傳授一系列批判性思維的方式與先進的創意研究模式。

通過3天密集的培訓課程與工作坊，加上2天新加坡著名建築物與空間的參觀與學習，讓學員不僅可以掌握到更強的設計技能和思維方式，也可同時通過校友會，跟導師們和同學們建立一個長遠的關係。

• DESIGN & RESEARCH BUREAU設計與研究所

DRB設計與研究所是由一群國際知名並獲得各項大獎的新加坡建築師與設計師組成的。位於中西文化與多種族融合的新加坡，DRB的使命即是以亞洲人的視角來突破設計思維與研究的局限。

• 課程老師陣容

• 課程內容

佘崇霖：室內設計·故事設計

王勝傑：注射建築

鄭聒升：室內設計的疑問與創造

鍾瑞玲：設計中的藝術

楊國勝：存在

• 課程導師

COLIN SEAH 佘崇霖

MOD 的創始人&設計總監

佘崇霖在美國接受了建築設計的熏陶和培養並在新加坡獲得建築師執照，他追隨了諸如雷姆·庫哈斯和丹尼爾·裡伯斯金這樣的設計大師來磨練自己；還曾在新加坡國立大學建築系工作4年，從事設計教學研究和設計評論員工作。作為MOD的創始人和設計總監，佘崇霖是美國2010年國際設計獎的“年度設計師”，同時也是新加坡最高設計榮譽“新加坡總統設計獎”的兩次獲獎得主。他是酒店設計類的最高榮譽獎項“金鑰匙獎“的獲獎得主，還是2007年度馬庫斯公司基金獎的“最具潛質傑出新人建築師”。受Monocle稱號為“建築界的新星”的佘崇霖，受新加坡國家旅遊局邀請重新詮釋和定義作為旅遊勝地的2020年和未來的新加坡。

KEAT ONG 王勝傑

新加坡室內設計師協會（SIDS）現任理事長

新加坡諾特設計集團創始人

建築師出身的王勝傑是位多學科空間設計師。獲得無數國際獎項的他也是新加坡室內設計師協會（SIDS）的現任理事長以及新加坡諾特設計集團的創始人。得獎無數的他也在2014年的新加坡設計大獎中被封為《亞洲頂級設計師》之一和在美國室內設計雜誌的《2016/17中國室內設計年度人物》之一。他的一些代表作包括了長沙市圖書館，洞庭湖規劃展示館，平江獅口崖酒店等。                                      

NATHAN YONG 楊國勝

Nathan Yong Design創始人&創意總監

楊國勝是Nathan Yong Design的創始人與創意總監。從一位買手和產品開發人員做起，他早期接觸過不少不同的產品生產技術和工藝方式。楊國勝連續兩年（2006年和2007年）贏得紅點概念設計獎。2008年，Nathan獲得新加坡總統設計獎“年度設計師獎”。他也擔任過許多設計大獎的評委，包括該獎項，澳洲Good Design大獎等。經驗豐富的他也曾經跟很多著名的公司合作過，包括了Design Within Reach (美國), Ligne Roset (法國), Living Divani (意大利), Domicil (德國), Ethnicraft (比利時), Grafunkt (新加坡)等。

PETER TAY 鄭聒升

Peter Tay Studio的創始人&創意總監

他是許多明星生活空間的魔術師，包括了章子怡，王力宏，孫燕姿，鄭惠玉等。他不斷地在突破自己，研究最新的理念。這些都可以從他一些大品牌客戶的作品看得到，包括了Richard Mille, Manolo Blank, Armani Casa, Poliform等。鄭聒昇在2014年的威尼斯雙年展參展了他的作品也在同一年獲得了新加坡總統設計獎“年度設計師獎”。

KELLEY CHENG 鍾瑞玲

The Press Room的創始人&創意總監

建築學科班出身的鍾瑞玲是The Press Room的創始人&創意總監。這是一家專業的內容創造與創意表達的多學科設計公司。她的一些代表作包括了2010年青年奧運會，2012年韓國世博會的新加坡館，新加坡博物館的表示導向系統等。她也擔任過許多國際設計大獎的評委，包括了紅點設計大獎，Nagoya-Do!，設計亞洲大獎，James Dyson大獎等。

• 集訓地點

新加坡國家設計中心NDC

新加坡國家設計中心由SCDA建築設計事務所進行了改造，對設計可能性的創新和鼓勵做了一個展示。NDC坐落在Bras Basah-Bugis區域的藝術、文化、學習和娛樂區，將是所有事物設計的連結，作為演講廳、公共展覽空間，並成為新加坡日益增長的設計文化智庫。作為新加坡的主要樞紐設計，它為促進新加坡強大的設計文化，通過社區參與活動和設計展示了深化良好的設計。

• 重點考察案例

新加坡濱海灣堤壩Marina Barage (Architects Team 3)

建於新加坡濱海海峽對面，是市中心第一座水庫，也是新加坡國內第15座水庫。流域面積達10000公頃，相當於新加坡面積的六分之一。二十多年前，新加坡第一任總理李光耀先生提出以濱海堤壩堵塞Marina海峽，從而實現淡水水庫的願景。2008年10月31日正式對外開放。其通過雨水的自然循環，不斷為新加坡提供新的供水。此外，其還可以起到防洪和新型生活方式的倡導作用。

都市綠塔Oasia酒店Oasia Hotel (WOHA)

整幢建築的立體綠化，是WOHA根據當地氣候條件進行精心設計的結果。酒店從結構體外挑約1米作為固定的花池，在“頂冠”的位置佈置可移動替換的種植箱，完全採用環保節水的滴灌方式。園林綠化廣泛用作建築外立面處理，並在建築內部和外部形成主要的材料面板部分。該綠色塔樓被認為是鳥類和動物的避風港，將生物多樣性重新引入城市，達到1,100％的總體綠地比例。

紅點博物館Red Dot Museum (Cox Architects)

新加坡紅點設計博物館是除德國之外，世界上唯一的紅點設計博物館，位於現代新加坡中心濱海灣海濱長廊。該博物館由Cox建築師事務所設計，是一座擁有完整玻璃幕牆的傑出地標，在夜間像水晶一樣照亮博物館。獨特的建築呈現出強烈的幾何形狀，並由一個結構鋼元素的俏皮構成和一個大型懸垂屋頂組成。它有超過兩層的展覽，其中有超過300個獲獎設計概念，原型和視頻。除了設計理念特別展覽之外，還有遍布博物館、畫廊、博物館商店和博物館咖啡吧的紅點產品設計和傳播設計獎獲獎設計。

新加坡拉薩爾藝術學院Lasalle College of the Arts (RSP Architects)

新加坡拉薩爾藝術學院是一所領先的高等院校，致力於尖端當代藝術和設計教育與實踐。校園由新加坡雅思柏建築設計事務所(RSP Architects) 傾力設計，巧妙地重新設計空間。2004 年，拉薩爾藝術學院代表新加坡參加威尼斯雙年展(Venice Biennale) 建築展，並在隨後數年先後贏得三項殊榮：新加坡建築師協會2009 年PUSH 獎；2008 年度建築獎，新加坡建築師協會第9 屆設計獎，以及2008 年總統設計獎。

新加坡藝術學院School of the Arts(WOHA)

這是新加坡一個專業的視覺以及表演藝術高中，學校位於城市文娛中心地帶，其專業的表演藝術場地與城市緊密結合。設計龐大，密集，但是富有穿孔型空間，實現深層次自然採光和通風。下方是開放的挑高空間，可以實現公眾溝通；上放則是安全安靜的學習空間。這裡的學習環境同優秀的老師、課程、設施相結合，得到認可並吸引了馬友友這樣的音樂家來上專業課。正因為如此，學校成為全球範圍內的楷模。

新加坡國立圖書館National Library (Ken Yeang)

TR設計事務所設計的新加坡國立圖書館大樓，1960年啟用，2005年重建，它是目前東南亞規模最大、設施最先進的圖書館之一。國家圖書館由兩棟16層高的樓組成，涵蓋三個地下室，每層樓均有一座天橋連接。館內收藏有馬來文、華文、泰米爾文和英文文獻將近900萬件，此外館內還設有100餘台電腦和6000種多媒體項目，並為讀者提供了環境優雅的咖啡座區域。該建築有三個公共全景電梯，可欣賞到城市景觀。這座新建築中有許多來自舊建築的舊磚。
 

唐岱企業有限公司 TRANG DAY

蘇游哲昀 Che-Yun Su Yu

作品「復刻經典」是設計師以延續性手法，在業主成功行銷了第一間店後，於2014隔年續以學生等年輕族群為主客群再次打造設計的第二間店，並落腳於逢甲商圈，亦屬在地區域中。第二間店也因著於第一間店而積累經費後，室內鋪陳較有預算開始走向更精煉的工業風格。設計師於此著重於視覺細節的精緻呈現，較有別於初創的第一間店多以仿舊粗曠風格鋪陳。

As the interior design work initiated after the successful first store design, “Classic” is the second restaurant branch focusing on the youthful customers, which is located in Feng Chia district and opened in 2015. For the profits earned from the first store, the designer was endowed more funds in refined LOFT style, which consistently but delicately compared with the aura in the first store.

店內空間呈現強烈的復古元素，在空間配置及特色區分上，使用大量的木棧板和原木鐵杉等木質建材，使同質地於室內表皮上的展演更凸顯出視覺層次。牆面大面積使用水泥粉光，素雅中的光澤韻致配搭著工業風多線性的繁複裝飾，彼此調合且平衡。

The indoor space decorated with plentiful pellets and wooden hemlocks spawns the intensive vintage elements and sense of sights. The polished concrete walls that elegantly correspond to the linear LOFT-style ornaments diffuse the accordant atmosphere.

洗鍊精致的工業風格從門面即可端倪出韻致，門面的鐵件仿鏽及分割並置，從左至右共六個區塊不同的構築視感，以同調色但異裝置區分出設計構成，有全透視與半透視的區塊，有隔柵有錯落，有模糊有通透，相當別具巧思。

The entrance doors deliberately exhibit the rusted effect, and the window grilles adorned with diverse textures of glass are delicate as well.

地面的復古紅磚鋪貼與牆面的異色火頭磚，皆有異曲同工的配搭性，延續格狀堆疊視覺，呼應門面的入口天花板以錯落杉木拼貼於頂，更顯出其粗曠與精緻併置的天地壁呼應構築。再回顧至門面，焦點落於門口HUN店名音譯為「混」的水管字樣，設計師又再次成功創造了在地商圈的最潮名店。

The antique red brick floors and walls agreeably develop amiable visual effect. The entrance ceiling ornamented with cedars congruously corresponds to both the rough and exquisite decorative elements omnipresent on the walls, ceilings and floors. The store sign “HUN”, on the store front, was constructed by metal tubes that has flourishingly promoted to the public once more.

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山澄有限公司 Shan Chen Interior Design 

陳香吟 Hsiang-Yin Chen

繁忙的都會區間，擁有步行至高鐵站，或步行至學區，河景山景俯視皆宜的大景觀宅邸，是相當愜意的人生樂事。建商將經濟度量下的行銷脈絡，賦予在建案宅邸的推新手法中。作品鎖定於商務型精英人士或退休自主區間，在經濟力優厚且重視生活機能與移動時效的雙需求下，更加滿足善於規劃生活細節的智慧人士。

Though located in the busy city, the house is within the walking-distance to high speed rail station and schools, and enjoys the great view to the surrounding environment. The target clients are focused mainly on the business elites and retirees who are financially sustainable and concern about living quality.

氣勢十足的大宅建築反應於空間中，使進門即見大景的開闊氣韻漫佈廳間氛圍。橫樑包覆木作橫越整區公領域，如橫動軸線般劃過更顯大空間氣勢。簡約鋪陳的均質色調於淺系明亮間，以混搭手法從玄關處的水泥六角磚，一路延伸至室內的木質韻地面。客廳主牆以淡色水泥磚作為牆區界定，雙廳櫃體多以暖木色呼應木地面，無壓力的清新質韻襯托明亮大景後，更顯得整室的優雅。

In the big house, the extensive wood-wrapped beam suggests majestic and magnificent atmosphere. The indoor space is consistently painted in agreeable light colors, and the entryway floor decorated with hexagon cement tiles is full of characters. That, the main wall in the living room ornamented with light cements and the warm wood floors considerably paved in the public space, intensifies the luminous and elegant features of space.

室內細節於整室的簡約暖調中，裝點著些許個性，客廳主牆黑白相間櫃體，與餐桌邊黑色鍛造拉門，帶出淺酌的黑白對比，更顯得室內氛圍的視覺精神。餐邊櫃旁對向客廳的分隔牆上，一座幾何型黑色鹿頭壁燈投射於壁面，似鹿角的光源線更添趣味。

Among the harmonious residential space, both the black-and-white display cabinet in the living room and the sliding door embellished with frosted glass and wrought irons in the dining room establish the vivid sense of sight. Adorned on the wall between the living and dining room, the black deer-silhouette wall lamp is intriguing as well.

空間作品基地三面臨路，打造永久棟距與景觀，鄰近幹道皆相連於住宅聚落與大型工作園區間。此鋪陳將行銷力度與空間美學相結合，是一具傳世居家作品。

Adjoining the streets that connect the residential and business area, the house marvelously integrating the marketing strategy and space aesthetics presents to the world the legacy residence.

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#競賽經紀顧問
#義大利A'Design報名代辦
#日本GoodDesign報名代辦

塘采設計  idesign corporation

陳紹珩  Rachelle Chen

在沉穩與明亮間，平衡視覺力度。大門與玄關的沉，對比出客廳的亮，隱喻出景觀視野的通透與採光優越。地面滿鋪低彩洗白木色，中和風格樣貌更易配搭。雙層落地簾幕拉起紗面將視覺淡化並保留乾淨光質，呈現代簡約妝室之容。

The most important feature of this project is that the demonstration of interior visual balance can be seen between of the bright light and the arrangement of dark materials. The main door and the design style of the entry area all made of dark materials can compare with the bright feeling of the living room; that is the spatial metaphor which can demonstrate the graceful interior scenes with clean and brisk senses. The main style of the floor is made of white lumber which is a moderate way to compare with other furniture. The double French windows with the silky drapes can screen the outside view and make the interior brighter at the same time, which is the design strategy to reveal sort of aesthetics of modern minimalism.

公領域採通透場域無間隔區分，僅以流暢動線與家具配搭畫分出簡約領域樣貌。客廳與餐廳彼鄰，家人間更方便共享共聚於休憩與餐食間。電視主牆面與餐櫃為一致性的木質韻調，連貫出視覺協調度。輕食中島連結廚房料理區域，以簡約乾淨的白烤漆面規劃雙區櫃體，視覺乾淨劃分出功能動線，提升清爽明亮質地。

There are no exact separations in the public area; all the sub-areas are defined by the arrangement of furniture and smooth traffic flow. The family can enjoy their leisure and dining time in between of the living and dining rooms, since these two rooms are connected smoothly. The wooden material applied to the main TV wall and the cabinets can balance the interior visual sight. The kitchen island connects the cooking area and dining area with the background of white cabinets, which can enhance the bright atmosphere with clean spatial visual effect and simple traffic flow.

玄關與餐櫃區僅以木作收納區隔，視覺輕鬆劃分區界，玄關櫃體與餐櫃同系胡桃木色以L型整面展現。上櫃左有菱格木作隔層，方便橫置承放屋主酒藏，饒富趣味俐落。右有方格木作隔層內坎燈源，可供置裝飾品與餐瓷玻璃等，更襯托其精緻度。餐桌面為卡拉拉白大理石，與中島廚區白色晶亮一致氛圍，並與深系餐櫃對比出明暗質韻。

The entry area and the dining area are merely divided by wooden cabinets, which is the moderate way to create clean and easy spatial separation. The cabinets in the entry and dining areas are decorated by the same wooden material, and composed by L shapes to show the comprehensive design intention. In the dining area, the left side of the cabinet composed with interesting slabs arrangement is the best places to demonstrate the owner’s collections of classic wines. The right side of the cabinet which has the regular slabs arrangement and embedded lights can set delicate glass and porcelain artifacts in order to display the elaborate spirt. The dining table made of white marble compared with the same texture of white and shiny kitchen island can generate the peaceful atmosphere; these two white objects can generate the visually contrasting effect by the comparison of the wooden cabinets.

客廳後方為書房區域，以黑框架坎透玻為牆，模糊分界並通透視感又能阻隔音源，方便屋主安靜閱讀的習性。書房內直接於窗前木作桌面，將窗邊優質採光重點保留於書桌區辦公用途。主臥中僅以床頭主牆分界後方更衣梳妝區域，一派的簡約俐落。

The back area of the living room is the reading area which is divided by the black metal frames with glasses. These frames are the best solution to retain the interior vision and cut off the noise when the owner wants to enjoy personal reading time freely. In the reading room, there is a desk directly set in front of the window. Therefore, sunlight can light up the reading area efficiently. In the master bedroom, the same minimalist style can been seen in which the gray wall divides the whole space into two areas- one is the bed area, and the other one is the dressing area; the intention of united style has been displayed naturally.

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秦朕南國際設計  QIN ZHEN NAN Interior Design Ltd

紀怡安  I-An Chi

通透雙廳場域，引入整面的寬景，並以木質地的溫潤，鋪陳出的無限暖意，空間細節講究溫馨感，打造出家的質感。

The public space incorporating the living and dining room, furnished with the gentle texture of wooden floors, displays the comforting quality of a sweet home.

「家」就是一個無限接納的空間，入門後即感受到一室的暖心氛圍，木質裝潢與陽光交互出的光影映照在客廳的L型大沙發上，令人倍感舒心。

In this design work, “Home” represents the space taking reception for anything. The atmosphere is heart-warming. When lying on the big L-style couch the bathed under the warm sunlight, the family feels the warmth of home.

沙發前有如白陶狀的不規則圓茶几在空間中相當吸睛，猶如整個家的重心所在，原木餐桌上貓咪慵懶的曬著太陽，木地板上COCKER開心的奔跑著，廚房爐上的煲湯香氣四溢；這些互相交融的五感氣息都是家的一部分，在通透的雙廳大場域裡迎接每個回家的人。

In the living, the tea table figuratively resembling the white pottery is eye-catching. The cat sleeping on the log dining table, the COCKER happily running on the wooden floor, and the flavoring soup on the kitchen stove, these artistically present a part of the lovely home waving lively to everyone in the family.

電視牆採用了六邊形蜂窩的意象，雙色的六角磚中特別搭配了12片花磚，是設計團隊給喜愛數字12的屋主一個小驚喜；六角磚轉折到地面後與木質地板做仿自然鑲嵌，一隻小犀牛雕塑品就在嵌接處微笑以對。全室的實木色系一路延伸越過雙廳，大面鋪陳直到書房與私領域空間，充滿自然氛圍。

The TV wall paved by the two-color honeycomb-style bricks, exclusively with 12 distinguishing bricks, is a surprise deliberately for the client. The hexagon bricks attaches excellently to the wooden floor, on which the life sculpture of rhino is standing with a smiling face. The texture of wooden floors, extensively furnished from the public to the private space, diffuses natural atmosphere.

收納需求中，住宅最重要的除了充足的收納櫃之外，也在玄關天花板與和室架高地板，都設計了實用的收納機能。餐廳後方和室區域為多功能使用空間，並以玻璃隔屏通透內外光線，需顧及隱私時拉下簾幕即成客房，是相當實用的多元空間。動線規劃利用廊道成為轉換過道，調整公私領域分隔，替場域完美轉場。

To meet the demands for storage reception, the designer decorates the house with a plenty of cabinets. Furthermore, the foyer ceiling and the elevated floor are embedded with storage spaces as well. The dining room and washitsu ornamented with the glass windows and curtains can become the guest room when pulling down the curtains. The hallway, meanwhile, skillfully identifies the distinctions between the public and private space.

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#義大利A'Design報名代辦
#日本GoodDesign報名代辦

晴天見國際事業有限公司  Sky eye league

洪嘉彥  Chia-Yen Hung

充滿靜謐低調的光影禪意中，空間以大氣恢弘之姿呈現山城饗宴。

走入都市山城，交錯樹幹堅如樹牆，枝幹間隙透露一池春水，將水流與樹群意象引入空間。城內綿延高低山稜，暗喻穿插手法呈現層疊群山。但聽潺潺流水，華燈初上，點燈燒柴，升起裊裊炊煙，映和月光於山林間的對話。空間動靜鋪陳間充分傳達「山城饗宴」於餐飲空間展演著永續的戲碼。

設計師檢視原始空間發現樑柱數量過多且又分佈各處，動線規劃上多有限制，於是就景況將樑柱化為樹，空間劃為山林，店格主題呈現山中之城，在無破壞結構體的前提內，嘗試將山、樹、水、石等自然元素話為設計主題，合理化樑柱的存在價值，轉化成空間視覺。而空間質材紋理也將依循日夜時序不同，產生光影變化樣貌。

以鐵件和木作為材形塑高低不等的山牆與緊密樹叢，成為座位間區隔。樹幹分枝延伸至大片黑色系室頂，如同樹梢沒入天際，牆上發光的圓洞在山牆間如落日般，產生似享坐於山林中饗宴之錯覺。

入口迎賓處，水流與磨石子前台，如初入林中柳暗花明的美景。轉身後的驚喜探見棧道般的大迴旋梯，如於山城裡越過山丘般聳立於前。以虛實相應的互現手法讓用餐者不只留下美味的記憶，並同時體現山城中片段的美景，留下深刻的空間印象。

The hilltown in the city,interlacing trunks like a solid wall outside.You can see the pool between trunks and the mountain scenery.People started to light the lamp and using firewood to light fire as it was getting dark.We started to conversation with forest  in the moonlight.

When we viewing the original space before we started to design.We found so many beams and columns strewn around the space.There are more restrictions on the line planning.Beams and columns are associated with forest.We tried to used mountain,tree,water,stone as the design concept without moving and dismantling structure.We rationalization of the presence of beams and columns.And we converted it into the actual needs of space.

The interlacing trunks echoing the concept of interior space.With the change of day and night,resonates in harmony with the environment.The interior material texture because of the different light and produce different looks.

We used pieces of iron and wooden materials to shaping the high and low gables indoors.They are close to the tree column as a seating area segment.Tree trunks branches column extends to the ceiling of black paint treatment.It’s like trees extending to the horizon.The glowing round hole in the gable like sunset.People have the illusion of sitting in the mountains dining.

When you see the pool and the reception of terrazzo at the entrance.You will feel like into a beautiful forest.Turned and saw the huge stairs like a small hill .We use the real and unreal situation in the way so that diners left in the minds not only the delicious food but beautiful scenes and come again.

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家育室內裝修有限公司  Chiayu Interior Decoration Corporation Ltd

蕭東均  Dong-Jun Xiao

輕透質，引領視覺的通透，與光線的傳遞，互為媒介。

Withholding the capacity seeing through, the combination of lucence and light establishes the luminous eyesight.

在光線於各場域的透視遊走間，感受一日各時的天光變幻，透與透之間的氣質，人與人之間的氣場，相鍊結出空間中的氛圍，讓介質的優勢，運用在辦公空間裡，產生團隊間緊密的力度。

Transmitting through diverse materials, the light brings closer the working connection among people in the company.

在現今具當代準則的辦公空間，皆強調場域的互動加值性。以大量體的玻璃帷幕為隔間，從天頂至地面通透輕質，讓各場域間保持良好的共通互動，卻彼此不被相互干擾，維持一定的私密性。

Most of the working spaces advocate the interactions among spaces, while the office furnished with plentiful large glass curtains emphasizes the translucent range of view, without imperiling the privacy in the meantime.

俯進入口處玄關，跳色的橘牆為背景，前置抽象的釉彩陶瓶，驚艷了視覺的氛圍。地面的大理石材，以大料方式的對花拼砌，讓進門的整體印象，呈現大氣質地。玄關與辦公區域間多了一道米色系的牆面作隔屏，讓初來乍到無法一眼窺探全場域，有了隱私性的保留。

Adorned by the entranceway, the glazed Chinese pottery laid before the orange wall exposes dazzling charms. Paved in large noble patterns, marble floor demonstrates magnificent atmosphere for those coming in the office at once. Furnished between the entranceway and working area, the beige wall preserves the privacy for the office.

空間鋪陳簡潔明快，大面積的質材多以淺褐色木紋混搭亮麗的烤漆白，鋪陳出一致性的整體，更延續輕透質的通透主題。細部則多以各色單椅或軟件作混搭 點綴出空間的活潑多樣與視覺特色。

To display the elegant style, the designer selects construction materials mainly based on light brown and polished white, which consistently present the idea of lucence. In distinct colors, the chairs and furniture fixtures create vigor and energy in the working space.

主管區辦公空間，取明亮大氣視野躍進，心曠神怡。辦公之餘調心靜氣，讓宏觀大度，引領更多決策判斷。區域劃分上則巧妙的善用各特色樣式地毯，作出辦公區域或沙發休憩等區域上的分隔。

The executive offices are bright and large. The tone of grandeur expresses the philosophy when making business decisions. The carpets in distinguishing colors ingenuously define different working areas.

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登信室內設計有限公  De-Sign Interior Design Studio

陳正哲  Cheng-Che Chen

民宿，是供給旅人短暫的棲息之所，它必須兼顧住宅空間的溫馨與機能，商業空間的行銷與美學。民宿之於旅人就像一場展演，具備鮮明的色彩，在短暫的檔期中如孔雀開屏般綻放令人驚豔的回味，這都是設計師開始著手規畫時的必需考量。桂月村Laurel Villa的起名來自屋後那棵三十年前屋主親自種下的台灣肉桂，此旅店為老店新開張，以肉桂樹延伸為名期望承先啟後，亦成了設計師為最大的操作前題。

The design of bed and breakfast (B&B) must take into considerations its comfortability and commercial strategy. Bed and breakfast is to tourists what visual effect is to art performance, of great importance to designer. Named after the laurel planted 30 years ago, the Laurel Villa’s responsibility to create promising future has become the premise for the design plan.

在建築手法上透過大量體的切分、堆疊，透過立面材質變化，將建築本身的層次美感帶出，從外觀而視，在一列紛亂的街屋建築中，此建築表皮透過以多層次的積累堆疊出自己的獨特魅力。立面上，這一道金屬折板成型的暈光光帶，除作為增建樓層的木紋磚與原始建築的石頭漆量體的分割外，也希望以此暗示老房子的過去與未來的分野，藉由暈光帶起量體的漂浮感來表達老屋翻新、老店新開，那種懷舊又對未來充滿期待的心情與企圖。

The design skills that apply trimming and stacking presents the genuine charms of the architecture. Decorated around the façade of building, the shimmering halo belts distinguishing the textures of wooden finish from rocks advocate the history and mission moving forward without hesitation.

在內空間處理手法，多見以建築媒材來呈現模糊性的整合，擴大空間的定義性。例如接帶廳的大門內外皆以水泥磚作鋪陳，再以玻璃帷幕區分室內外，視覺感上猶如內外室一體，創造虛實相交的模糊以利視覺心裡感受。或在後院以玻璃帷幕讓室內自然融入室外的綠意，充分讓視覺綠景入室共融。客房以陽台作為泡澡用的景觀室，一只浴缸，一顆老樹植栽，就能營造擴增客房內的機能與多元性。在建材的選擇上，多以一次材為主，避免後製所產生多餘的工資與再用料。如鑽泥板、鐵件、玻璃及實木板等等。以最低限度的修飾來處理空間，充分達到環保與減廢等訴求。

The qualities of construction materials define the characteristics of the space. At the reception hall, the cement bricks and glass curtains obscure the visual discrepancies between the indoor and outdoor area. The design of glass curtains brings greenery landscapes to household environment. Ornamented at the balcony, the bathtub and plaint mix accordantly the physical functions with mental vitalities. The applications of materials minimizing secondary processing procedures have accomplished the ambition reducing wastes and protecting nature.

整個作品營造出簡單寧靜的氛圍，前廳有植栽，後院有老樹與露天雅座。入了廳，一派的極簡，大面的使用鑽泥板於室頂與牆面飾，草色入簾青的自然系。拾街上樓，梯間扶手為直立的竹節鋼筋材，更顯特色簡約。房內一系多樣的水泥色磚或岩磚與木作互鋪陳，壁面多大面積的素雅色，滿滿充份的寧靜感，讓旅人的心，得以完全的放鬆休憩。

The plantings, old trees, and outdoor seats display the elegant and tranquil atmosphere. The hall furnished with diacrete and the staircase handrails decorated with black steels manifest elegant and graceful idiosyncrasy. The rooms adorned with concrete bricks and wood works displaying plain colors make tourists feel relieved and pleasant.

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空間美學室內裝修有限公司  Aesthetic of Space Design Co., Ltd.

陳鵬旭  Peng-Hsu  Chen / 王文煒  Willie Wang

在零的狀態時，是沒有界限的。

零﹝Zero﹞，並不只是一個數字、符號，“0”=“無限”，代表無窮的善與美，“○”也是一個循環不止的圓圈，一切萬有，從零開始，用不受框限的眼界看待空間設計，回到「零界限」的狀態，每一件事都是可能的。

■從心歸零– 以「歸零」之謙卑心態，內化並實踐直樸的生活智慧。

■善的循環–資源循環，也就是資源價值達到最友善的「永續使用」。

■家的起點–以家人的需求為起點，形塑情感歸屬，互動深度交流。

■人與自然環境的圓滿–向大自然學習設計妙法，與環境和諧共生。

Witness the power of “0”: no boundaries exist in status zero.

Zero is not just a digit or symbol. “0” = “infinite” and means unlimited virtue and beauty. “0” is a circle that keeps on circling, and everything starts from 0. Redefine the design of space without framed boundaries. Everything is possible at the zero boundary status.

■ Starting from zero – internalize and fulfill simple wisdom hidden in everyday life with the humble attitude of zero

■ Loop of virtue – the very essence of resource recycling is that resources can be friendly and sustainably used

■ Beginning point of home – focus on the needs of families as the starting point to create a sense of belonging and enhance interactions between family members and their exchanges in thoughts and ideas

■ Perfect harmony between humanity and the natural environment – learn techniques and tips from nature to coexist with the environment

沐光，「零暗房」空間活起來

客廳大面開窗，流淌的日影，涵養著空間的張力與能量，「零暗房」設計

銜接充足採光，即使人處於室內，仍能汲取窗外日光、微風， 讓最純粹的自然能量，灑滿空間的每個角落。

Bathing in Sunlight: “Zero Dark Corner” – vitalized space

Maximized window size in the living room and sunlight pouring in from the outside are the best ingredients to nourish the power and energy of the space. The idea behind the Zero Dark Corner is to sufficiently usher in sunlight. Even if you are inside the house, you can still feel the sunlight and breeze coming in from the outside, and each corner is filled with the purest energy from nature.

初衷，「零負擔」健康鮮氧

半戶外的陽台種植綠色植物，流動進入室內的空氣，讓人忍不住親近自然、深呼吸鮮氧，心靈與眼睛也跟著悅活，並減少陽光直射，靈活節能。

Initial Focus - “Zero Burden” with Healthy, Fresh air

Together the green plants growing in the semi-outdoor balcony and air flowing in from the outside invite us to get close to nature. Take a deep breath of fresh air, our soul and eyes will feel very good. This design further minimizes our exposure to direct sunlight and is both flexible and energy efficient.

還原，「零廢棄」再生自然材

運用自然材（如原木、玻璃）回歸健康本位，地板、天花板、牆板採用低甲醛板材，沒有刺鼻異味，木質紋理展現樸拙內斂，讓室內有如森林般的紓壓氛圍，木材質有調節溼氣與溫度的特質，玻璃豐富空間表情，讓光線明亮延伸，都可回收循環再生，是善待環境的環保綠建材。

Restoration – “Zero Waste” with Reusable Natural Materials

Health restored with all-natural materials (such as wood or glass). Only low VOC boards are used for the floors, ceilings and walls, and there is no sour pungent odor. The textures of the material are simple, austere and restrained to foster a relaxing atmosphere inside the house. The wooden materials can adjust the moisture and temperature levels, and the glass best expresses the emotions of space and extends the coverage of sunlight. All materials can be recycled and reused, and they are all green materials friendly to the environment.

圓滿，「零界限」閱讀寧靜時光

突破單元空間界限，客廳、臥室、書房通透又彼此聯繫的格局，簡雅美感與收納機能圓滿兼具，沿窗設計的書房有舒適迷人的陽光伴讀，穿透的視覺讓室內更寬敞、空靈，細釀療癒內在的寧靜獨處時光。

Perfect Harmony – “Zero Boundary” with Peaceful Reading and Studying Time

The zero boundary design eliminates the traditional boundaries separating rooms in a house and connects the living room, bedrooms and study rooms, feels beautiful, and features effective storage functions. With warm sunlight, the window-oriented design of the study room feels comfortable, and the boundary-free design visually enlarges the room and makes it more spacious to create the perfect surrounding for peaceful quality time alone.

莊哲湧設計事業有限公司  Yung Interior Design Studio

莊哲湧  Che-Yung Chuang

本案為SPA水療會館，整體色調溫潤而典雅，透過玻璃帷幕引入自然日光、營造自在氛圍，設計師善用竹編燈飾、木紋質地相互襯搭，梯間水池點綴熠熠光輝映照異材質石牆，此設計主軸與機能相互呼應，實為室內藝術光景。

The SPA Center, warm and elegant tone overall inside. The natural daylight sprays through the window glass creating a comfortable atmosphere. By making good use of bamboo for lighting design and matching wood texture, and the pool between staircases embellished gleaming glory shines onto the stone walls. The  theme of design and function echoes to each.