設計盒子DESIGN BOX

塘采設計  idesign corporation

陳紹珩  Rachelle Chen

在沉穩與明亮間，平衡視覺力度。大門與玄關的沉，對比出客廳的亮，隱喻出景觀視野的通透與採光優越。地面滿鋪低彩洗白木色，中和風格樣貌更易配搭。雙層落地簾幕拉起紗面將視覺淡化並保留乾淨光質，呈現代簡約妝室之容。

The most important feature of this project is that the demonstration of interior visual balance can be seen between of the bright light and the arrangement of dark materials. The main door and the design style of the entry area all made of dark materials can compare with the bright feeling of the living room; that is the spatial metaphor which can demonstrate the graceful interior scenes with clean and brisk senses. The main style of the floor is made of white lumber which is a moderate way to compare with other furniture. The double French windows with the silky drapes can screen the outside view and make the interior brighter at the same time, which is the design strategy to reveal sort of aesthetics of modern minimalism.

公領域採通透場域無間隔區分，僅以流暢動線與家具配搭畫分出簡約領域樣貌。客廳與餐廳彼鄰，家人間更方便共享共聚於休憩與餐食間。電視主牆面與餐櫃為一致性的木質韻調，連貫出視覺協調度。輕食中島連結廚房料理區域，以簡約乾淨的白烤漆面規劃雙區櫃體，視覺乾淨劃分出功能動線，提升清爽明亮質地。

There are no exact separations in the public area; all the sub-areas are defined by the arrangement of furniture and smooth traffic flow. The family can enjoy their leisure and dining time in between of the living and dining rooms, since these two rooms are connected smoothly. The wooden material applied to the main TV wall and the cabinets can balance the interior visual sight. The kitchen island connects the cooking area and dining area with the background of white cabinets, which can enhance the bright atmosphere with clean spatial visual effect and simple traffic flow.

玄關與餐櫃區僅以木作收納區隔，視覺輕鬆劃分區界，玄關櫃體與餐櫃同系胡桃木色以L型整面展現。上櫃左有菱格木作隔層，方便橫置承放屋主酒藏，饒富趣味俐落。右有方格木作隔層內坎燈源，可供置裝飾品與餐瓷玻璃等，更襯托其精緻度。餐桌面為卡拉拉白大理石，與中島廚區白色晶亮一致氛圍，並與深系餐櫃對比出明暗質韻。

The entry area and the dining area are merely divided by wooden cabinets, which is the moderate way to create clean and easy spatial separation. The cabinets in the entry and dining areas are decorated by the same wooden material, and composed by L shapes to show the comprehensive design intention. In the dining area, the left side of the cabinet composed with interesting slabs arrangement is the best places to demonstrate the owner’s collections of classic wines. The right side of the cabinet which has the regular slabs arrangement and embedded lights can set delicate glass and porcelain artifacts in order to display the elaborate spirt. The dining table made of white marble compared with the same texture of white and shiny kitchen island can generate the peaceful atmosphere; these two white objects can generate the visually contrasting effect by the comparison of the wooden cabinets.

客廳後方為書房區域，以黑框架坎透玻為牆，模糊分界並通透視感又能阻隔音源，方便屋主安靜閱讀的習性。書房內直接於窗前木作桌面，將窗邊優質採光重點保留於書桌區辦公用途。主臥中僅以床頭主牆分界後方更衣梳妝區域，一派的簡約俐落。

The back area of the living room is the reading area which is divided by the black metal frames with glasses. These frames are the best solution to retain the interior vision and cut off the noise when the owner wants to enjoy personal reading time freely. In the reading room, there is a desk directly set in front of the window. Therefore, sunlight can light up the reading area efficiently. In the master bedroom, the same minimalist style can been seen in which the gray wall divides the whole space into two areas- one is the bed area, and the other one is the dressing area; the intention of united style has been displayed naturally.

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秦朕南國際設計  QIN ZHEN NAN Interior Design Ltd

紀怡安  I-An Chi

通透雙廳場域，引入整面的寬景，並以木質地的溫潤，鋪陳出的無限暖意，空間細節講究溫馨感，打造出家的質感。

The public space incorporating the living and dining room, furnished with the gentle texture of wooden floors, displays the comforting quality of a sweet home.

「家」就是一個無限接納的空間，入門後即感受到一室的暖心氛圍，木質裝潢與陽光交互出的光影映照在客廳的L型大沙發上，令人倍感舒心。

In this design work, “Home” represents the space taking reception for anything. The atmosphere is heart-warming. When lying on the big L-style couch the bathed under the warm sunlight, the family feels the warmth of home.

沙發前有如白陶狀的不規則圓茶几在空間中相當吸睛，猶如整個家的重心所在，原木餐桌上貓咪慵懶的曬著太陽，木地板上COCKER開心的奔跑著，廚房爐上的煲湯香氣四溢；這些互相交融的五感氣息都是家的一部分，在通透的雙廳大場域裡迎接每個回家的人。

In the living, the tea table figuratively resembling the white pottery is eye-catching. The cat sleeping on the log dining table, the COCKER happily running on the wooden floor, and the flavoring soup on the kitchen stove, these artistically present a part of the lovely home waving lively to everyone in the family.

電視牆採用了六邊形蜂窩的意象，雙色的六角磚中特別搭配了12片花磚，是設計團隊給喜愛數字12的屋主一個小驚喜；六角磚轉折到地面後與木質地板做仿自然鑲嵌，一隻小犀牛雕塑品就在嵌接處微笑以對。全室的實木色系一路延伸越過雙廳，大面鋪陳直到書房與私領域空間，充滿自然氛圍。

The TV wall paved by the two-color honeycomb-style bricks, exclusively with 12 distinguishing bricks, is a surprise deliberately for the client. The hexagon bricks attaches excellently to the wooden floor, on which the life sculpture of rhino is standing with a smiling face. The texture of wooden floors, extensively furnished from the public to the private space, diffuses natural atmosphere.

收納需求中，住宅最重要的除了充足的收納櫃之外，也在玄關天花板與和室架高地板，都設計了實用的收納機能。餐廳後方和室區域為多功能使用空間，並以玻璃隔屏通透內外光線，需顧及隱私時拉下簾幕即成客房，是相當實用的多元空間。動線規劃利用廊道成為轉換過道，調整公私領域分隔，替場域完美轉場。

To meet the demands for storage reception, the designer decorates the house with a plenty of cabinets. Furthermore, the foyer ceiling and the elevated floor are embedded with storage spaces as well. The dining room and washitsu ornamented with the glass windows and curtains can become the guest room when pulling down the curtains. The hallway, meanwhile, skillfully identifies the distinctions between the public and private space.

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#義大利A'Design報名代辦
#日本GoodDesign報名代辦

晴天見國際事業有限公司  Sky eye league

洪嘉彥  Chia-Yen Hung

充滿靜謐低調的光影禪意中，空間以大氣恢弘之姿呈現山城饗宴。

走入都市山城，交錯樹幹堅如樹牆，枝幹間隙透露一池春水，將水流與樹群意象引入空間。城內綿延高低山稜，暗喻穿插手法呈現層疊群山。但聽潺潺流水，華燈初上，點燈燒柴，升起裊裊炊煙，映和月光於山林間的對話。空間動靜鋪陳間充分傳達「山城饗宴」於餐飲空間展演著永續的戲碼。

設計師檢視原始空間發現樑柱數量過多且又分佈各處，動線規劃上多有限制，於是就景況將樑柱化為樹，空間劃為山林，店格主題呈現山中之城，在無破壞結構體的前提內，嘗試將山、樹、水、石等自然元素話為設計主題，合理化樑柱的存在價值，轉化成空間視覺。而空間質材紋理也將依循日夜時序不同，產生光影變化樣貌。

以鐵件和木作為材形塑高低不等的山牆與緊密樹叢，成為座位間區隔。樹幹分枝延伸至大片黑色系室頂，如同樹梢沒入天際，牆上發光的圓洞在山牆間如落日般，產生似享坐於山林中饗宴之錯覺。

入口迎賓處，水流與磨石子前台，如初入林中柳暗花明的美景。轉身後的驚喜探見棧道般的大迴旋梯，如於山城裡越過山丘般聳立於前。以虛實相應的互現手法讓用餐者不只留下美味的記憶，並同時體現山城中片段的美景，留下深刻的空間印象。

The hilltown in the city,interlacing trunks like a solid wall outside.You can see the pool between trunks and the mountain scenery.People started to light the lamp and using firewood to light fire as it was getting dark.We started to conversation with forest  in the moonlight.

When we viewing the original space before we started to design.We found so many beams and columns strewn around the space.There are more restrictions on the line planning.Beams and columns are associated with forest.We tried to used mountain,tree,water,stone as the design concept without moving and dismantling structure.We rationalization of the presence of beams and columns.And we converted it into the actual needs of space.

The interlacing trunks echoing the concept of interior space.With the change of day and night,resonates in harmony with the environment.The interior material texture because of the different light and produce different looks.

We used pieces of iron and wooden materials to shaping the high and low gables indoors.They are close to the tree column as a seating area segment.Tree trunks branches column extends to the ceiling of black paint treatment.It’s like trees extending to the horizon.The glowing round hole in the gable like sunset.People have the illusion of sitting in the mountains dining.

When you see the pool and the reception of terrazzo at the entrance.You will feel like into a beautiful forest.Turned and saw the huge stairs like a small hill .We use the real and unreal situation in the way so that diners left in the minds not only the delicious food but beautiful scenes and come again.

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家育室內裝修有限公司  Chiayu Interior Decoration Corporation Ltd

蕭東均  Dong-Jun Xiao

輕透質，引領視覺的通透，與光線的傳遞，互為媒介。

Withholding the capacity seeing through, the combination of lucence and light establishes the luminous eyesight.

在光線於各場域的透視遊走間，感受一日各時的天光變幻，透與透之間的氣質，人與人之間的氣場，相鍊結出空間中的氛圍，讓介質的優勢，運用在辦公空間裡，產生團隊間緊密的力度。

Transmitting through diverse materials, the light brings closer the working connection among people in the company.

在現今具當代準則的辦公空間，皆強調場域的互動加值性。以大量體的玻璃帷幕為隔間，從天頂至地面通透輕質，讓各場域間保持良好的共通互動，卻彼此不被相互干擾，維持一定的私密性。

Most of the working spaces advocate the interactions among spaces, while the office furnished with plentiful large glass curtains emphasizes the translucent range of view, without imperiling the privacy in the meantime.

俯進入口處玄關，跳色的橘牆為背景，前置抽象的釉彩陶瓶，驚艷了視覺的氛圍。地面的大理石材，以大料方式的對花拼砌，讓進門的整體印象，呈現大氣質地。玄關與辦公區域間多了一道米色系的牆面作隔屏，讓初來乍到無法一眼窺探全場域，有了隱私性的保留。

Adorned by the entranceway, the glazed Chinese pottery laid before the orange wall exposes dazzling charms. Paved in large noble patterns, marble floor demonstrates magnificent atmosphere for those coming in the office at once. Furnished between the entranceway and working area, the beige wall preserves the privacy for the office.

空間鋪陳簡潔明快，大面積的質材多以淺褐色木紋混搭亮麗的烤漆白，鋪陳出一致性的整體，更延續輕透質的通透主題。細部則多以各色單椅或軟件作混搭 點綴出空間的活潑多樣與視覺特色。

To display the elegant style, the designer selects construction materials mainly based on light brown and polished white, which consistently present the idea of lucence. In distinct colors, the chairs and furniture fixtures create vigor and energy in the working space.

主管區辦公空間，取明亮大氣視野躍進，心曠神怡。辦公之餘調心靜氣，讓宏觀大度，引領更多決策判斷。區域劃分上則巧妙的善用各特色樣式地毯，作出辦公區域或沙發休憩等區域上的分隔。

The executive offices are bright and large. The tone of grandeur expresses the philosophy when making business decisions. The carpets in distinguishing colors ingenuously define different working areas.

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登信室內設計有限公  De-Sign Interior Design Studio

陳正哲  Cheng-Che Chen

民宿，是供給旅人短暫的棲息之所，它必須兼顧住宅空間的溫馨與機能，商業空間的行銷與美學。民宿之於旅人就像一場展演，具備鮮明的色彩，在短暫的檔期中如孔雀開屏般綻放令人驚豔的回味，這都是設計師開始著手規畫時的必需考量。桂月村Laurel Villa的起名來自屋後那棵三十年前屋主親自種下的台灣肉桂，此旅店為老店新開張，以肉桂樹延伸為名期望承先啟後，亦成了設計師為最大的操作前題。

The design of bed and breakfast (B&B) must take into considerations its comfortability and commercial strategy. Bed and breakfast is to tourists what visual effect is to art performance, of great importance to designer. Named after the laurel planted 30 years ago, the Laurel Villa’s responsibility to create promising future has become the premise for the design plan.

在建築手法上透過大量體的切分、堆疊，透過立面材質變化，將建築本身的層次美感帶出，從外觀而視，在一列紛亂的街屋建築中，此建築表皮透過以多層次的積累堆疊出自己的獨特魅力。立面上，這一道金屬折板成型的暈光光帶，除作為增建樓層的木紋磚與原始建築的石頭漆量體的分割外，也希望以此暗示老房子的過去與未來的分野，藉由暈光帶起量體的漂浮感來表達老屋翻新、老店新開，那種懷舊又對未來充滿期待的心情與企圖。

The design skills that apply trimming and stacking presents the genuine charms of the architecture. Decorated around the façade of building, the shimmering halo belts distinguishing the textures of wooden finish from rocks advocate the history and mission moving forward without hesitation.

在內空間處理手法，多見以建築媒材來呈現模糊性的整合，擴大空間的定義性。例如接帶廳的大門內外皆以水泥磚作鋪陳，再以玻璃帷幕區分室內外，視覺感上猶如內外室一體，創造虛實相交的模糊以利視覺心裡感受。或在後院以玻璃帷幕讓室內自然融入室外的綠意，充分讓視覺綠景入室共融。客房以陽台作為泡澡用的景觀室，一只浴缸，一顆老樹植栽，就能營造擴增客房內的機能與多元性。在建材的選擇上，多以一次材為主，避免後製所產生多餘的工資與再用料。如鑽泥板、鐵件、玻璃及實木板等等。以最低限度的修飾來處理空間，充分達到環保與減廢等訴求。

The qualities of construction materials define the characteristics of the space. At the reception hall, the cement bricks and glass curtains obscure the visual discrepancies between the indoor and outdoor area. The design of glass curtains brings greenery landscapes to household environment. Ornamented at the balcony, the bathtub and plaint mix accordantly the physical functions with mental vitalities. The applications of materials minimizing secondary processing procedures have accomplished the ambition reducing wastes and protecting nature.

整個作品營造出簡單寧靜的氛圍，前廳有植栽，後院有老樹與露天雅座。入了廳，一派的極簡，大面的使用鑽泥板於室頂與牆面飾，草色入簾青的自然系。拾街上樓，梯間扶手為直立的竹節鋼筋材，更顯特色簡約。房內一系多樣的水泥色磚或岩磚與木作互鋪陳，壁面多大面積的素雅色，滿滿充份的寧靜感，讓旅人的心，得以完全的放鬆休憩。

The plantings, old trees, and outdoor seats display the elegant and tranquil atmosphere. The hall furnished with diacrete and the staircase handrails decorated with black steels manifest elegant and graceful idiosyncrasy. The rooms adorned with concrete bricks and wood works displaying plain colors make tourists feel relieved and pleasant.

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空間美學室內裝修有限公司  Aesthetic of Space Design Co., Ltd.

陳鵬旭  Peng-Hsu  Chen / 王文煒  Willie Wang

在零的狀態時，是沒有界限的。

零﹝Zero﹞，並不只是一個數字、符號，“0”=“無限”，代表無窮的善與美，“○”也是一個循環不止的圓圈，一切萬有，從零開始，用不受框限的眼界看待空間設計，回到「零界限」的狀態，每一件事都是可能的。

■從心歸零– 以「歸零」之謙卑心態，內化並實踐直樸的生活智慧。

■善的循環–資源循環，也就是資源價值達到最友善的「永續使用」。

■家的起點–以家人的需求為起點，形塑情感歸屬，互動深度交流。

■人與自然環境的圓滿–向大自然學習設計妙法，與環境和諧共生。

Witness the power of “0”: no boundaries exist in status zero.

Zero is not just a digit or symbol. “0” = “infinite” and means unlimited virtue and beauty. “0” is a circle that keeps on circling, and everything starts from 0. Redefine the design of space without framed boundaries. Everything is possible at the zero boundary status.

■ Starting from zero – internalize and fulfill simple wisdom hidden in everyday life with the humble attitude of zero

■ Loop of virtue – the very essence of resource recycling is that resources can be friendly and sustainably used

■ Beginning point of home – focus on the needs of families as the starting point to create a sense of belonging and enhance interactions between family members and their exchanges in thoughts and ideas

■ Perfect harmony between humanity and the natural environment – learn techniques and tips from nature to coexist with the environment

沐光，「零暗房」空間活起來

客廳大面開窗，流淌的日影，涵養著空間的張力與能量，「零暗房」設計

銜接充足採光，即使人處於室內，仍能汲取窗外日光、微風， 讓最純粹的自然能量，灑滿空間的每個角落。

Bathing in Sunlight: “Zero Dark Corner” – vitalized space

Maximized window size in the living room and sunlight pouring in from the outside are the best ingredients to nourish the power and energy of the space. The idea behind the Zero Dark Corner is to sufficiently usher in sunlight. Even if you are inside the house, you can still feel the sunlight and breeze coming in from the outside, and each corner is filled with the purest energy from nature.

初衷，「零負擔」健康鮮氧

半戶外的陽台種植綠色植物，流動進入室內的空氣，讓人忍不住親近自然、深呼吸鮮氧，心靈與眼睛也跟著悅活，並減少陽光直射，靈活節能。

Initial Focus - “Zero Burden” with Healthy, Fresh air

Together the green plants growing in the semi-outdoor balcony and air flowing in from the outside invite us to get close to nature. Take a deep breath of fresh air, our soul and eyes will feel very good. This design further minimizes our exposure to direct sunlight and is both flexible and energy efficient.

還原，「零廢棄」再生自然材

運用自然材（如原木、玻璃）回歸健康本位，地板、天花板、牆板採用低甲醛板材，沒有刺鼻異味，木質紋理展現樸拙內斂，讓室內有如森林般的紓壓氛圍，木材質有調節溼氣與溫度的特質，玻璃豐富空間表情，讓光線明亮延伸，都可回收循環再生，是善待環境的環保綠建材。

Restoration – “Zero Waste” with Reusable Natural Materials

Health restored with all-natural materials (such as wood or glass). Only low VOC boards are used for the floors, ceilings and walls, and there is no sour pungent odor. The textures of the material are simple, austere and restrained to foster a relaxing atmosphere inside the house. The wooden materials can adjust the moisture and temperature levels, and the glass best expresses the emotions of space and extends the coverage of sunlight. All materials can be recycled and reused, and they are all green materials friendly to the environment.

圓滿，「零界限」閱讀寧靜時光

突破單元空間界限，客廳、臥室、書房通透又彼此聯繫的格局，簡雅美感與收納機能圓滿兼具，沿窗設計的書房有舒適迷人的陽光伴讀，穿透的視覺讓室內更寬敞、空靈，細釀療癒內在的寧靜獨處時光。

Perfect Harmony – “Zero Boundary” with Peaceful Reading and Studying Time

The zero boundary design eliminates the traditional boundaries separating rooms in a house and connects the living room, bedrooms and study rooms, feels beautiful, and features effective storage functions. With warm sunlight, the window-oriented design of the study room feels comfortable, and the boundary-free design visually enlarges the room and makes it more spacious to create the perfect surrounding for peaceful quality time alone.

莊哲湧設計事業有限公司  Yung Interior Design Studio

莊哲湧  Che-Yung Chuang

本案為SPA水療會館，整體色調溫潤而典雅，透過玻璃帷幕引入自然日光、營造自在氛圍，設計師善用竹編燈飾、木紋質地相互襯搭，梯間水池點綴熠熠光輝映照異材質石牆，此設計主軸與機能相互呼應，實為室內藝術光景。

The SPA Center, warm and elegant tone overall inside. The natural daylight sprays through the window glass creating a comfortable atmosphere. By making good use of bamboo for lighting design and matching wood texture, and the pool between staircases embellished gleaming glory shines onto the stone walls. The  theme of design and function echoes to each.

程一空間設計有限公司  C-ONE DESIGN ASSOCIATES

黃格田  Ko-Tien Huang

在台中新興的七期重劃區，櫛比鱗次的高層建築拔地而起，本設計及坐落其中，一幢以極簡風格立面為架構，營造藝術性空間及飯店管理為訴求的住宅華廈內。在設計之初，設計師即思考如何在簡約中帶有藝術性的建築量體內，設計出如同潘朵拉盒子般的內在物質，他以〈林〉為概念，以留白及渲染為手法，透過十字形平面配置，搭配開合隱蔽穿插的曖昧語彙，在建築物室內創造出不同於純粹外在的空間感官體驗。

Located at the 7th Redevelopment Zone in Taichung City where the tall buildings are built in compact, the case is standing among these. On the basis of simple style, this is the residence which creates artistic space and appeals to hotel management. At the very first beginning, the designer pondered how to make a place as Pandora box, the building mass with artistic simplicity. On the basis of the idea “forest”, the designer creates a different space experience from the outside world, by using the skills of emptiness and rendering, and plane configuration inserted with open and hidden style.

建築物室內原先為三房兩廳的布局，設計師將它調整為兩房兩廳的格局，藉由捨棄一個房間，換來擴大餐廳與廚房的空間尺度氛圍，讓兩者形成一個既安定又開放的中介空間，一個寬闊、閒適的用餐場域，同時又巧妙的在空間上，透過天花的裝飾設計壓低此一區域的量體感，一方面讓接待空間與私密空間再一次被清楚界定，另一方面也增加設計概念中盒子開闔的層次感。

The former configuration was consisted of two bedrooms, one kitchen, one living room, and one dining room. Nowadays, the designer makes a place with one bedroom, one kitchen, one living room, and one dining room. Without one bedroom, this is the residence with large living room and kitchen, in which play the role as comfortable and open medium. The wide dining room is ingeniously designed into a private area which differs from the living room, a public area, by utilizing the ceiling decorations which make the dining room a bit figuratively smaller. Such configuration clearly separates the private space from public space while endowing the space with multiple senses, as the ideas from Pandora box.

設計師巧妙的在空間中運用隱藏與暗示性手法，讓每個空間都能顯示出多重的可能性，一種多元呈現與想像的面貌，透過不同的觀看角度、使用方式，抑或是不同時間的光影變化，讓空間都能因著不同對象，產生不同於以往的強烈本質，但在這些清晰的樣態，又能在明確中帶有某種模糊性的感受，在豐富的層次中產生了饒富趣味的空間變化。

By applying ingeniously the skills of hide and implication, the designer unveils the possibilities in each space. Throughout the different opinions, usages, and variations of light and shadow, the outlook of multi-elements and imaginations creates a different and powerful fundamental for different clients. Meanwhile, the clear aspect brings the vague sensation in straightforwardness, generating fascinating space variations in plentiful sensations.

藉由直向性的線條，打破舊有的空間素材後，再行重組再生，重新合而為一，將居家生活中的各種活動元素，收闔於沉穩洗鍊的氛圍中，營造空間中見山非山，見林非林的特殊感官意象。

After the straight lines has been breaking old school, the space rebirths and unites, brings the life elements into composed atmosphere, creating the unique and unconventional sensation.

大桓設計顧問有限公司  DA HUAN DESIGN

紀宜成  Yi-Cheng Chi

懋榮建設股份有限公司  Maorong Construction

紀吉川

在台中都會區西側，橫亙綿延的大肚山像畫中翠綠的一筆，阻隔了市中心與海線區域的連結。在這個由蔥蘢的大型喬木，生態豐富的保護區、大學校園與公園組成的丘陵地帶，一排以白色調現代簡約風格為基底，層層退縮的露台與大面積開窗組成的獨棟別墅群，矗立在滿山綠意中，在都市近郊以廣闊的尺度、可親的設計，讓現代生活的居所與絕佳的生態環境與山海交織的景觀緊密相連。

At the western of urban area in Taichung City, the Da Du Mountain blocks the connection between the city center and coastline area. At the foothills, surrounded by large greenery arbor, ecological conservation zone, school campus, and park, the villas, built with recessed terraces and large windows, are standing in the greenery mountain. The villa, with its adjacency to downtown and its design of affinity, connects closely the modern residence to the amazing scenery. 

順應山勢地形，建築物一樓規畫為停車空間，沿梯間踏上二樓以客廳、餐廳與廚房組成的主要公共場域，臨路的客廳以均直切割的石皮拼貼的主牆面，刷白的電視牆與天花，搭配鏡面側牆原木處理的長形桌台與現代風格的沙發組，創造在簡約俐落的線條中，與質樸原始的素材交織的差異質感。客廳後側為餐廳與開放式廚房組成的餐廚空間，實木格柵天花搭配原木餐桌椅與金屬造型燈飾，讓白色調為主的當代空間中，也能在匯聚家庭情感的餐廳，營造出屬於「家」獨有的溫潤情感。餐廳後側以大面落地窗連結屋外後院，錯落有致的植栽與小型泳池，以及獨特的開放式茶屋，讓居所除了滿足食、衣、住的日常，也能有度假般的閒適生活感。

Because of the local terrain, the parking lot is built on the first floor. The second floor, on which the public area of the living room, dining room and kitchen, the straight-cut thin slate wall, the white TV wall and ceiling, the long log bar, and the modern couches, create the different qualities from the simple lines and unadorned materials. The area behind the living room is the open kitchen and dining space, in which the wooden grille ceiling, the log table and chairs, the metallic lamps, and the white space, create the warm atmosphere of “home” in the restaurant. The large French window, at the back of the restaurant, is connected to the back yard, where the delicate plantings, small swimming pool, and open tea house, make the residence filled with the happy hour as taking vacation, when satisfying the desires for foods, clothes, living.

延續現代風格的純淨質感，上層私密的居住場域以白色為基調，輔以木質地板與壁櫃傢俱，產生品味獨具的空間深度。主臥房以深色皮革主牆，搭配玻璃與石材牆面的灰色調設計，營造低調沉穩的空間質感；次臥房則以細緻的格柵拉門與木製百葉窗簾，讓白色調的睡眠空間也能有東方清麗、幽遠的禪意。頂層起居間外，以碎石、南方松木棧台與錯落的灌木叢，搭配遠方的絕美海景，讓每個日出月落，這些景致都能在日常生活中常伴左右。

Continued with the modern style, the white private space on the upper floor, the wooden floor, and closet furniture, make the space unique. In the main bedroom, the dark-leather main wall, glass, and grey stone wall, create the space which is conserved and calm. The delicate grille sliding door and wooden blind, in the secondary bedroom, fill the white sleeping space with Zen serenity. On the top floor, the living room, wooden walkway made of gravels and southern pines, the scattered bushes, and the beautiful ocean scenery, become a part of life anywhere and anytime.

樸緻國際建築室內設計  Purity Building Interior Design

周言叡  Yan-Rui Chou 

過去，在人口迅速都市化的時期，需多都會的邊陲地區，皆曾作為勞力密集的工業區廠房所在，隨著時光遞嬗與產業變革，人們對土地與建築物使用有了不同的嶄新思維。本案即位於過去的工業區內，如今是大片土地旁，一棟兩層樓的五十年舊式廠辦，希冀透過設計師的巧思，改造為一幢獨一無二的創意攝影棚。

During a period of time when the population was fast growing, most outskirts of metropolitan areas were where the labor-intensive factories located at. With time flies and industrial revolutions, people have new thoughts about the lands and architectures.

Once a 50-year two-floor factory which was located on the industrial area, is now remodeled ingeniously by the designer, in this project, into a one-of-a-kind studio that is currently located on a large land.

設計師以紐約蘇活區街頭的後工業LOFT景致為發想，希望在保留現有斑駁、陳舊的建築紋理下，強化其粗糙質地，營造出獨有的滄桑感。攝影棚內的裝修擺飾則以紐約當地的咖啡館場景為藍本，依照不同的主題與功能，劃分出四個彼此獨立又能相互融合的場景，以工業風的木質及鍛造鑄鐵家具、外露的空調與管線，配合復古瓷磚與水泥粉光混搭刻意保留的斑斕牆面，讓每個細微的角落都充滿獨特的美學感知，組構出仿若置身美國東部都會舊城的懷舊感。

On the basis of the idea from the LOFT landscapes in post-industrial era shown on SOHO district in New York, the designer has put an emphasis on the original quality of rough materials and has made an addition to this building the signs of history. The interior space of the studio, based on the images of café seen in New York, which is segregated into four independent but cohering scenes from the perspectives of distinguished subjects and functions. The industrial-style wooden and cast-iron furniture, the exposed air conditioner and pipelines, and the spotted walls which are created by retro-style bricks and concrete finishing, the design presenting every small part of the space the unique aesthetics, and reminding people of the nostalgia as if living in the old western cities in the U.S.

如同咖啡館擺設般的攝影棚室內，大至桌椅壁櫃，小至燈光管道，都是真實可使用的裝備、讓空間本身即多了一分身歷其境的臨場感。同時，有別於多數攝影棚以封閉空間營造特有的室內氛圍，設計師運用獨棟建築四面對外的特性，於四向牆面皆施以大量拱形與方形落地窗，鐵件組構成的格柵窗櫺，強化了整體空間的採光，以及空間內與外的對話。

In the studio, the furnishings resembling those in the café, including the tables, chairs, and lightings, are available for using, the design making people feel as if staying on the exact same places in that moment. In the meantime, different from the sealed spaces in most of the digital studios, the open style created by installing four large arched and rectangular French windows and iron grille windows which spill the indoor space sunlight and strengthen the connections between the indoor and outdoor space.

藉由設計師的巧妙設計，結合建築物具備的物理環境與基地周遭條件，讓攝影棚不再只是攝影棚，佈景不再只是佈景，空間隨著時間、季節、氣候，乃至於都市的進步勃興，跟隨生活的步伐，不斷改變它所呈現予人的樣貌，所有場景皆因著時間的淬煉，被賦予了不同的意義。

The delicate design, architectural conditions and surrounding environment bring the mechanisms of studio to a higher level, on which the variations of time, season, weather, city development, and life styles constantly change the appearances of people, the function giving different meanings to every scene throughout different time.