設計盒子DESIGN BOX

程一空間設計有限公司  C-ONE DESIGN ASSOCIATES

黃格田  Ko-Tien Huang

在台中新興的七期重劃區，櫛比鱗次的高層建築拔地而起，本設計及坐落其中，一幢以極簡風格立面為架構，營造藝術性空間及飯店管理為訴求的住宅華廈內。在設計之初，設計師即思考如何在簡約中帶有藝術性的建築量體內，設計出如同潘朵拉盒子般的內在物質，他以〈林〉為概念，以留白及渲染為手法，透過十字形平面配置，搭配開合隱蔽穿插的曖昧語彙，在建築物室內創造出不同於純粹外在的空間感官體驗。

Located at the 7th Redevelopment Zone in Taichung City where the tall buildings are built in compact, the case is standing among these. On the basis of simple style, this is the residence which creates artistic space and appeals to hotel management. At the very first beginning, the designer pondered how to make a place as Pandora box, the building mass with artistic simplicity. On the basis of the idea “forest”, the designer creates a different space experience from the outside world, by using the skills of emptiness and rendering, and plane configuration inserted with open and hidden style.

建築物室內原先為三房兩廳的布局，設計師將它調整為兩房兩廳的格局，藉由捨棄一個房間，換來擴大餐廳與廚房的空間尺度氛圍，讓兩者形成一個既安定又開放的中介空間，一個寬闊、閒適的用餐場域，同時又巧妙的在空間上，透過天花的裝飾設計壓低此一區域的量體感，一方面讓接待空間與私密空間再一次被清楚界定，另一方面也增加設計概念中盒子開闔的層次感。

The former configuration was consisted of two bedrooms, one kitchen, one living room, and one dining room. Nowadays, the designer makes a place with one bedroom, one kitchen, one living room, and one dining room. Without one bedroom, this is the residence with large living room and kitchen, in which play the role as comfortable and open medium. The wide dining room is ingeniously designed into a private area which differs from the living room, a public area, by utilizing the ceiling decorations which make the dining room a bit figuratively smaller. Such configuration clearly separates the private space from public space while endowing the space with multiple senses, as the ideas from Pandora box.

設計師巧妙的在空間中運用隱藏與暗示性手法，讓每個空間都能顯示出多重的可能性，一種多元呈現與想像的面貌，透過不同的觀看角度、使用方式，抑或是不同時間的光影變化，讓空間都能因著不同對象，產生不同於以往的強烈本質，但在這些清晰的樣態，又能在明確中帶有某種模糊性的感受，在豐富的層次中產生了饒富趣味的空間變化。

By applying ingeniously the skills of hide and implication, the designer unveils the possibilities in each space. Throughout the different opinions, usages, and variations of light and shadow, the outlook of multi-elements and imaginations creates a different and powerful fundamental for different clients. Meanwhile, the clear aspect brings the vague sensation in straightforwardness, generating fascinating space variations in plentiful sensations.

藉由直向性的線條，打破舊有的空間素材後，再行重組再生，重新合而為一，將居家生活中的各種活動元素，收闔於沉穩洗鍊的氛圍中，營造空間中見山非山，見林非林的特殊感官意象。

After the straight lines has been breaking old school, the space rebirths and unites, brings the life elements into composed atmosphere, creating the unique and unconventional sensation.

大桓設計顧問有限公司  DA HUAN DESIGN

紀宜成  Yi-Cheng Chi

懋榮建設股份有限公司  Maorong Construction

紀吉川

在台中都會區西側，橫亙綿延的大肚山像畫中翠綠的一筆，阻隔了市中心與海線區域的連結。在這個由蔥蘢的大型喬木，生態豐富的保護區、大學校園與公園組成的丘陵地帶，一排以白色調現代簡約風格為基底，層層退縮的露台與大面積開窗組成的獨棟別墅群，矗立在滿山綠意中，在都市近郊以廣闊的尺度、可親的設計，讓現代生活的居所與絕佳的生態環境與山海交織的景觀緊密相連。

At the western of urban area in Taichung City, the Da Du Mountain blocks the connection between the city center and coastline area. At the foothills, surrounded by large greenery arbor, ecological conservation zone, school campus, and park, the villas, built with recessed terraces and large windows, are standing in the greenery mountain. The villa, with its adjacency to downtown and its design of affinity, connects closely the modern residence to the amazing scenery. 

順應山勢地形，建築物一樓規畫為停車空間，沿梯間踏上二樓以客廳、餐廳與廚房組成的主要公共場域，臨路的客廳以均直切割的石皮拼貼的主牆面，刷白的電視牆與天花，搭配鏡面側牆原木處理的長形桌台與現代風格的沙發組，創造在簡約俐落的線條中，與質樸原始的素材交織的差異質感。客廳後側為餐廳與開放式廚房組成的餐廚空間，實木格柵天花搭配原木餐桌椅與金屬造型燈飾，讓白色調為主的當代空間中，也能在匯聚家庭情感的餐廳，營造出屬於「家」獨有的溫潤情感。餐廳後側以大面落地窗連結屋外後院，錯落有致的植栽與小型泳池，以及獨特的開放式茶屋，讓居所除了滿足食、衣、住的日常，也能有度假般的閒適生活感。

Because of the local terrain, the parking lot is built on the first floor. The second floor, on which the public area of the living room, dining room and kitchen, the straight-cut thin slate wall, the white TV wall and ceiling, the long log bar, and the modern couches, create the different qualities from the simple lines and unadorned materials. The area behind the living room is the open kitchen and dining space, in which the wooden grille ceiling, the log table and chairs, the metallic lamps, and the white space, create the warm atmosphere of “home” in the restaurant. The large French window, at the back of the restaurant, is connected to the back yard, where the delicate plantings, small swimming pool, and open tea house, make the residence filled with the happy hour as taking vacation, when satisfying the desires for foods, clothes, living.

延續現代風格的純淨質感，上層私密的居住場域以白色為基調，輔以木質地板與壁櫃傢俱，產生品味獨具的空間深度。主臥房以深色皮革主牆，搭配玻璃與石材牆面的灰色調設計，營造低調沉穩的空間質感；次臥房則以細緻的格柵拉門與木製百葉窗簾，讓白色調的睡眠空間也能有東方清麗、幽遠的禪意。頂層起居間外，以碎石、南方松木棧台與錯落的灌木叢，搭配遠方的絕美海景，讓每個日出月落，這些景致都能在日常生活中常伴左右。

Continued with the modern style, the white private space on the upper floor, the wooden floor, and closet furniture, make the space unique. In the main bedroom, the dark-leather main wall, glass, and grey stone wall, create the space which is conserved and calm. The delicate grille sliding door and wooden blind, in the secondary bedroom, fill the white sleeping space with Zen serenity. On the top floor, the living room, wooden walkway made of gravels and southern pines, the scattered bushes, and the beautiful ocean scenery, become a part of life anywhere and anytime.

樸緻國際建築室內設計  Purity Building Interior Design

周言叡  Yan-Rui Chou 

過去，在人口迅速都市化的時期，需多都會的邊陲地區，皆曾作為勞力密集的工業區廠房所在，隨著時光遞嬗與產業變革，人們對土地與建築物使用有了不同的嶄新思維。本案即位於過去的工業區內，如今是大片土地旁，一棟兩層樓的五十年舊式廠辦，希冀透過設計師的巧思，改造為一幢獨一無二的創意攝影棚。

During a period of time when the population was fast growing, most outskirts of metropolitan areas were where the labor-intensive factories located at. With time flies and industrial revolutions, people have new thoughts about the lands and architectures.

Once a 50-year two-floor factory which was located on the industrial area, is now remodeled ingeniously by the designer, in this project, into a one-of-a-kind studio that is currently located on a large land.

設計師以紐約蘇活區街頭的後工業LOFT景致為發想，希望在保留現有斑駁、陳舊的建築紋理下，強化其粗糙質地，營造出獨有的滄桑感。攝影棚內的裝修擺飾則以紐約當地的咖啡館場景為藍本，依照不同的主題與功能，劃分出四個彼此獨立又能相互融合的場景，以工業風的木質及鍛造鑄鐵家具、外露的空調與管線，配合復古瓷磚與水泥粉光混搭刻意保留的斑斕牆面，讓每個細微的角落都充滿獨特的美學感知，組構出仿若置身美國東部都會舊城的懷舊感。

On the basis of the idea from the LOFT landscapes in post-industrial era shown on SOHO district in New York, the designer has put an emphasis on the original quality of rough materials and has made an addition to this building the signs of history. The interior space of the studio, based on the images of café seen in New York, which is segregated into four independent but cohering scenes from the perspectives of distinguished subjects and functions. The industrial-style wooden and cast-iron furniture, the exposed air conditioner and pipelines, and the spotted walls which are created by retro-style bricks and concrete finishing, the design presenting every small part of the space the unique aesthetics, and reminding people of the nostalgia as if living in the old western cities in the U.S.

如同咖啡館擺設般的攝影棚室內，大至桌椅壁櫃，小至燈光管道，都是真實可使用的裝備、讓空間本身即多了一分身歷其境的臨場感。同時，有別於多數攝影棚以封閉空間營造特有的室內氛圍，設計師運用獨棟建築四面對外的特性，於四向牆面皆施以大量拱形與方形落地窗，鐵件組構成的格柵窗櫺，強化了整體空間的採光，以及空間內與外的對話。

In the studio, the furnishings resembling those in the café, including the tables, chairs, and lightings, are available for using, the design making people feel as if staying on the exact same places in that moment. In the meantime, different from the sealed spaces in most of the digital studios, the open style created by installing four large arched and rectangular French windows and iron grille windows which spill the indoor space sunlight and strengthen the connections between the indoor and outdoor space.

藉由設計師的巧妙設計，結合建築物具備的物理環境與基地周遭條件，讓攝影棚不再只是攝影棚，佈景不再只是佈景，空間隨著時間、季節、氣候，乃至於都市的進步勃興，跟隨生活的步伐，不斷改變它所呈現予人的樣貌，所有場景皆因著時間的淬煉，被賦予了不同的意義。

The delicate design, architectural conditions and surrounding environment bring the mechanisms of studio to a higher level, on which the variations of time, season, weather, city development, and life styles constantly change the appearances of people, the function giving different meanings to every scene throughout different time.

大易空間設計有限公司  DE-INTERIOR DESIGN Co., Ltd

王中揚  Chung-Yang Wang

靜謐－現代東方宅

本案在設計調性上，企圖營造具備現代東方氣息的人文居所，以簡約、素雅的材質風格為底，映襯屋主收藏的大量傳統中式家具與藝術品，隱隱地誘發出沉靜、洗鍊的質感氛圍。

Silence – the oriental modern residence.

From the perspective of design styles, the designer, in this project, has been trying to create a residence full of oriental humanity atmosphere, in which the simple and elegant construction materials could bring out the a large number of traditional Chinese-style furniture and art works that implicitly give rise to the composed and clean atmosphere.

鑑古納今的趣味場域

打開大門進入玄關，石材地坪與灰牆構築的場域中，舊式中國壁櫃與素雅蘭花，別緻而充滿韻味的用色佈局，為門廳後的家宅生活場域，做了最完美的開場。公共場域主要由黑、白、灰三色構成，客廳刻意留白的質樸牆面前，以雅緻的條案、東方感十足的雕刻、簡約花藝與黑白膠卷沖洗的攝影作品，與俐落風格的現代沙發座椅，質感出眾的中式收藏配件，碰撞出饒富趣味的空間氛圍。

The amusing area with historical and modern elements.

At the entranceway, an area with stone floor and grey walls, the traditional Chinese-style wall cabinet, the elegant orchid, and the exquisite and elegant colors have been the best opening for the residential space. In the living room, a public area which is composed of black, white and grey, the plain wall without painting, the graceful long narrow table, the oriental-style sculpture, the elegant flowers, the photos printed by the black and white panchromatic rolls, the neat contemporary-style couch chairs, and the delicate collections of Chinese accessories bring out the amusing and interesting space atmosphere.

以對稱語彙營造豐富視覺層次

設計師以方形框架作為串連整體空間的統一性元素，三開間的對稱式設計，透過簡化的傳統中國門窗語彙，被廣泛運用在空間與空間連結的壁面與破口處理，在長條形平面中彼此相連的餐廳與廚房，透過帶有東方意象的現代吊燈，刻意延伸、相對的餐桌與中島輕食區，強化空間的連續性。三個方框組成的餐廳主牆中，兩側以東方對開門意象設計的收納櫥櫃，營造均衡的空間氛圍，中央方形框架下方設置水槽櫃，並以鏡面反射吊燈，豐富空間的視覺層次。

The symmetrical skill, enriching the visual effects.

By using the rectangular frame for the unity connecting the entire space elements, the designer has applied that, the symmetrical structure which is common seen from the traditional quadrangle houses, and the simplified traditional Chinese-style doors and windows, to the wall surfaces and openings generally connecting different spaces. In the design plan, the rectangular area connecting the dining room and the kitchen is extended on purpose. The dining table and bar, built on the opposite area, has strengthened the continuity of the space. In the dining room where the main wall is built by the compositions of three square frames, the two storage cabinets, which are designed based on the idea of oriental opposed doors, are installed at the both side of the main wall, the design skill balancing the space atmosphere. The sink cabinet, installed under the center of the square framework and reflects the image of chandelier by mirrors, has brought rise to the lively visual space.

東西交融的幽遠質感空間

除了橫向的對稱分割之外，設計師也將合院建築中「進」的意象融合於空間中的過廊設計，長向延伸的潔白廊道內，透過一道、兩道對開門與加深門框，結合盡頭白牆、太師椅及懸掛的攝影圖像，創造層層遞進中不落俗套的幽遠感。左右兩廂對開房門內為主臥與書房，黑白映照的空間主調中，透由條案、矮几，盆栽綴飾的點點綠意，巧妙地將東方特有的質感設計，交融於現代風格的空間體驗中。

The space with the western and oriental style elements.

In addition to the symmetrical structure in the horizontal dimension, the designer applies the idea of “moving forward,” an idea commonly seen from the traditional quadrangle houses, to the corridor, in which the white walk path, opposed doors, thicken door frames, white wall, armchair and suspended photos bring into existence the elegant atmosphere without conforming to the conventional pattern. In the main bedroom and study room, located at the opposite area in the structure of quadrangle house, the essential tone of black and white has ingeniously integrated the specific oriental design style into the contemporary space experiences by means of the graceful long narrow table, lower coffee table, and greenery potting.

大岳室內裝修工程有限公司  Da Yue Interior Renovation Co. Ltd

房元凱  Iuan-Kai Fang

依《太玄》所云，天有九重，意境不同。

而鍋有九種，亦是味道殊異。然則皆以鍋中水，容納百物後熟煮，成為溫飽世界的養分。

進門之後涓涓細流如細雨落入地下室之景觀水池，以用在劇場的特殊繪景手法處理的圓管，如雲彩般的漸層，平行著從天 而降。外部輔以舞台效果燈光，投射店名字樣於圓管帷幕上，光影明暗之對比，宛若霧靄繚繞，創造空間中戲劇性的主題 與意境。

潺潺水源似澄澈心境，虛心迎入過往來客，而時光長河，亦若水流不止，但有些鑽石般堅固的美好品德，在此漫漫間亙古 常存，代代傳承。

《晉書》中載古代文人年少時期立下鴻志，生活清苦，負笈求學。隋唐以降，書生進京趕考，身背沉重木箱，不只渴求功 成名就，也求回饋鄉里，將其概念轉化成包廂隔間及造型吊燈， 向業主以餐飲揚名立足，不忘恩澤根本的意志致敬。 秦漢時期，以釜懸於灶上炊煮。吊掛式的特製釜形燈，重新詮釋了先人的智慧，象徵渴望與家人團聚，以家為重的心千古 不變。

木質垂簾能屈能伸，獨酌對影或者群聚歡鬧，能時刻自省、各處與人和是君子本質，不曾有改。而以客為尊、因人制宜的 體貼精神，為經營的永續之道。 無數世紀，龍被作為予以崇拜的聖獸，是傳統中國的象徵，傳說其外型多變，藉由不同細節重新詮釋，也是設計者對於古典的再創造。

《Tai Xuan Sutra》mentioned, there are nine levels of the sky. And there are nine flavors served in this hotpot restaurant.

After passing the entrance, a running waterfall down from the ceiling, the circular tubes with hand drawing like the subtle gradation of clouds develop in parallel. The stage effect lights project the name of restaurant onto circular tube curtains. The contrast of light and shade create the view of wreathed mist, establishing the scenic theme and conception.

The Chinese ancient literati made great ambitions when they were young, they carried heavy book boxes, walked a long distance to the metropolis, and joined competitions one after another to pursue high-ranking position.

Not only chase the reputation and wealth, but also hope to feedback their hometowns. The designer turns the figure of book box into the compartments and pendant lamps.

Qin and Han dynasties, people used a special pot called “Fu” to cook. “Fu” is a symbol of ancestors’ wisdom, the designer transformed the figure of “Fu” into the pendant lamps. The Chinese worships dragons as sacred animal for centuries. The designer interprets the dragons‘ variable images a classic new way.

天境空間設計有限公司  Tianching Spatial Design Co., Ltd.

蔡馥韓  Fu-Han Tsai

在七十坪大的樓中樓式住宅空間中，設計師透過俐落的線條，搭配合宜的建築材料與色彩，意圖創造在古典風範中帶有現代感的舒適居所。

This is a residence, in 70 square footage, with mezzanine floor in which the designer creates a comfortable modern place with classical style by using neat configuration, qualified construction materials, and colors.

在建築物的入口處，以大面積玄關櫃與簍空的鐵件隔屏作為玄關與客廳的中介，透過虛實交錯的垂直構件，呈現空間若隱若現的一面。進入客廳後，即可見以中性色系為跳色的主體背牆，並運用相同色系的窗簾進行落地窗的搭配，已呈現整體感，相對應的電視牆面，則石材矮牆的設計作為客廳與餐廳之間的區隔，以擴大公共領域的視覺空間感。

At the main door, a big cabinet and partition made of metallic fretwork has become the medium between porch and living room, where the looming space is present through vertical structures intersected between visual and reality. After coming into the living room, we feel the style of consistency when seeing a main wall in neutral color and curtains, in the same color, on the French windows. The rocks parapet wall, made for TV wall, has been a segment between the living room and dining room, which magnifies the public area.

餐廳後側為書房，整體設計以木作牆面、透明玻璃搭配玻璃拉門，藉由具視覺穿透性的設計，讓書房一方面保有獨立的隱私性，另一方面又能保有空間的通透感，書房內外則以大面的開放櫃作為串連，並藉此展示業主收藏的漫畫書籍與模型。餐廳的另一側則規畫出一個開放式和室，作為親子同樂的空間，設計師在此省略實體牆面的空間界定，轉而以架高的木作地坪做為空間區隔，在保有收納功能的同時，也增加空間的開闊感。樓中樓的室內樓梯為了減少原有RC樓梯的沉重感，改用鋼構、透明玻璃及木質踏板的組合，呈現樓梯的輕巧感，在轉角處更放置精選的設計家具作為端景，以達到畫龍點睛的效果。

The designer makes the study room, at the back of the living room, a place reserving the effect of privacy and penetration by using transparent slide glass door. The open cabinet, at the study room, plays the role showing owner’s comic books and models. There is an open washitsu, on the other side of the dining room, in which family members play with each other. Sparing the solid walls which define the space, the designer uses the elevated wooden floor as a segment that reserves the function for storage and enhances the wideness of the space in the meantime. To avoid the heaviness when building RC staircase, the designer uses the steel, transparent glass, and wooden petals that present the litheness. There is a designed furniture, carefully selected, at the corner, that is the finishing touch in that area.

樓中樓上層為私密的臥室空間，臥室的設計選用相同色系的木質材料，呈現空間的整體感，同時設計師也以沉穩的深色木作搭配鍍鈦把手，使房間產生安心、舒適的沉靜效果，搭配色彩明亮的座椅與鮮綠的小植栽，讓相對低調的臥室空間，也能有一絲愉悅、活潑的閒適氛圍。

The bedroom, on the upper mezzanine floor, is the private space where the consistent wooden materials make the whole space complete. The designer, in the meantime, uses the dark woodworks and titanium doorknob to present the relaxed and comfortable atmosphere. With the colorful chairs and greenery plants, the low-key bedroom is endowed with joyful and vivacious atmosphere.

橘子灣空間視覺設計  Orange Bay Design

林承莆  Cheng-Pu Lin

秉持非商業化的藝文紮根精神，經歷兩年籌劃，「草悟道文創旅館」現正以小巧精緻、貼近生活之姿，在大台中地區拓展一條性格獨具的行旅維度。

座落於台中市中西區新興藝文特區「草悟道」，周遭文化館舍、藝文聚落與都市綠蔭薈萃，旅館在基調設定上與地域文化性格緊密相扣，試圖透過空間氛圍之營造，捕捉旅人聚散身影，進而拓印出獨特而深刻的時間停留感。旅館整體設計著重局部與區段性，在中低亮度燈光調節下，利用木作、皮件與鑄鐵素材，呈現簡約的Loft 工業風格。

一反傳統旅店在裝潢形式上的高挑、華美傾向，「草悟道文創旅館」在公共空間規劃上強調「小」而「包圍」，利用建物既有特性突顯裝設細節，促使觀者更直接而透徹地對旅店氛圍加以感受，同時也藉空間情調聚攏人群，拉出有別於日常時間的感知向度。室內壁面以灰黑色調為主，利用單束式燈具與寬幅落地窗堆疊光影，在此洗鍊而錯落之視覺構圖裡，復古陳設與都市光景交互對映，在周而復始的變遷與喧囂裡持存片刻寧靜。

From the marbled porch to the hardwood decor of the foyer and reception, the gradual tones of grey and dark wood colours flows and blends, connecting the open space and its simple furnishings, along with the perfectly installed lighting to highlight the intricacy and sophistication of its interior.

The open space of the restaurant with its arc and straight-lined configuration contrasts and resonates in an integrated design. Inside, guests can enjoy a moment of serenity brought about by the gray-black walls, with vintage industrial lighting fixtures among others, and wide French windows with its sophisticated scenery.

館內房型設計甚為多元，共計19 種不同樣式，巧妙援引撲克牌術語為各種房式加以命名，嘗試透過最簡單的常民文化經驗，口語化地勾連人們對於都市生活樣態的記憶與想像。在強調簡明質感與人情暖度的核心概念下，設計者依照個別房型的入住人數與功能性質規劃空間性格。單床雙人房「對對」，藉落地窗框與迷你浴缸拉設柔和曲線，於淋浴隔間以馬賽克壁磚鋪陳情調；雙床雙人房「兔胚」，以吊燈在方正寬敞格局裡突顯木造材質的條理紮實；

The “One-Pair” double room has a romantic atmosphere that is brought about by its French windows, mini bathtub, and mosaic bathroom wall tiles.

針對單車旅遊設計的房型「三條」，利用玄關空間裝設個人專屬壁掛架，並以木造雙層床組營造群體氛圍；

The “Three-of-a-Kind” room is for biking enthusiasts in which the open space, colours, and outdoor scenery blends in harmony. The wooden bunkbeds highlights the symbolic bike trip with urban style. The earth-tone coloured stone materials in the bath creates an lavish atmosphere.

以家庭旅遊為主的四人房「葫蘆」，則選用紋理較為柔和的木、石質材，在層次分明中凝聚溫馨感。

在平實簡要裡搭建共感景致，「草悟道文創旅館」正以個性化的空間語言，紀錄大都市裡倏忽即逝的精彩時刻，並自信地對周遭文化地景投入刺激因子。

The “Four-of-a-Kind” quadruple room or family room has a warm atmosphere as a result of the  soft wood grains contrasting with the white ceiling.

This Quad-room is divided by a thick stone-tiled wall that distinguishes the wooden colours of the room which makes the guests comfortable.

庭御室內裝修設計企業有限公司  Ting Yu Design co., Ltd

王成丰  Cheng-Feng Wang

不讓居家設計流於制式，繽紛的色彩躍上空間的枝頭，不再被刻意遮掩弱化，熱情呼應著屋主的奔放魅力，空間調性如糖果般的香甜蜜意引人勾起嘴角弧線。

空間的自明性使人與空間的對話，擁有各種姿態，設計師專注屋主的性格與需求，打造專屬的空間調性，因而與眾不同。

The purpose of this design project is to avoid the cliché of interior designs by using the vibrant colors to light up the original space rather than conceal the defects. The owner's charming personality can be resonated by the passionate spatial properties of this design project. The spatial tone of this design project is like candy taste, the sugary quality can bring out smiling curves on everyone's mouth.

The spatial identities of this design project can generate different spatial postures as the family members interacting with the properties of this spatial design. The most important feature of this design project is the dedicated spatial atmosphere generated by the designer who concentrated on the owner's living needs and individual traits.

居如伊人

業主從事貿易工作，長期旅居海外，交友廣闊，性格開朗活潑，喜愛歐美風格的大方奔放，常有外國友人來台拜訪與商務洽談，因此本案空間需求，並非是一般沉澱系的居家風格，而是採取輕鬆、熱情的私人交誼招待生活空間型態。電視主牆門扇開闔間，輕巧轉換了使用者的心情與狀態，在正式的洽談與公務討論中不被干擾，也能在嚴謹之後，營造輕鬆的空間氛圍，獨特的品味需求，空間因而鮮豔耀眼。

Living in Friendships

The owner is a trading businessman who has to live abroad from time to time.

Therefore, the owner's main personal characteristics are followed by the personal habits of traveling a lot, broad friendships and optimistic personality. The most chances of the spatial needs are foreign friend visits and business meetings. Therefore, the main requirement is not just a space for tranquil living style but a kind of private salon space with hospitable senses. The opening process of the living room main wall can transfer the user's mindset and divide the different functions between the party and the meeting usages. This is a kind of spatial strategy to consider serious and leisure scenarios and prompt the unique spatial taste with vibrant features.

古典中的後現代

背景的主調性由潔白的古典比例樣式砌築而成，散發歐式美學氣質，但此案最引以為特色的，是設計師所安排的空間衝突美感。簡約俐落的黑色方形框線和繽紛飽和色的傢私，對比潔白的古典大面線板，揭開空間歡樂派對的主題，略帶些後現代主義的意味，大膽率真，別出新裁。

Post-Modern in Classical 

The main spatial tone for the background of the interior scenery is piled up with the classical ratio in white color, in which can spread the European aesthetic sense. However, the most interesting feature in this design project is a kind of conflict aesthetics arranged by the designer intentionally. That is the concise black frame lines with the vivid furniture sets which can reveal the main spatial image contrasted by white classical panels for vibrant party time.

頂上的文章

在公共空間中運用不同的天花設計，規劃空間分區，客廳天花飾線，延續空間寬闊感，餐廳天花則運用古典線板的修飾性質，掌握空間布局的視覺平衡感。另一頭，再一次運用對比手法，吧檯頂上天花的挑高，搭上同樣黑色調鮮明的斜樑構成斜屋頂意象與晶透櫥櫃壁，左側玄關端景牆的當代抽象掛畫與輕盈格子窗櫺式鏡面隔間牆，讓人淺嚐異國情調。

The Poetic Ceiling

Using ceiling design for planning different areas is the main spatial strategy for public zone. The ceiling panel lines in living room can extend the spatial experience with wide spatial sense. The restaurant ceiling is decorated by classical panels in order to control the visual balance in the spatial arrangement. On the other side, the contrasting strategy again, the high-ceiling with black frame of the inclined beams contrasts with crystal cupboard wall in the bar area, the abstract painting on the left wall contrasts with reflective lattice window on the right wall in the entrance hall, all of these can bring out the exotic atmosphere.

空間色彩的曜動

人、色彩、空間的多元互動節奏，交步出組曲輕快的圓舞曲，跳動與散佈在每個子空間中。黃色、桃紅色、天空藍、湛藍與來自鶯歌的點綴性翠綠藝術吊燈等高彩度色調的傢俱與家飾，柔軟而親近人心，是調色盤裡的顏料，讓白底黑線的框架空間，成為光線的調色盤，隨著光線變化產生表情，夏季裡的飽和與冬日中的內斂，婀娜多姿，猶如女性屋主的多樣風情，自信美麗而具有智慧。

Soaring on Color Dreams

The diverse spatial rhythm between users, colors and the space can cause multiple spatial interactions, and compose up different kinds of brisk waltz for each room. The yellow, pink, sky blue furniture and artifacts, the emerald green chandelier from Yingge Township are the designer's design palette. All these elements can generate black frame with white backdrop to get people having gentle and touchable senses. As light changing in different scenarios, the extroverted sense of summer and introverted sense of winter are just like the female owner's charming characteristics, so confident, lovely and wisdom.     

原象室內裝修設計有限公司  Yuan Xiang Interior Decoration Design Co., Ltd

王建亭  Chien-Ting Wang

設計師巧用圖學效果的線條粗細搭配，重點式勾勒出戶外明媚的風光與綠意，居家環境因此自然舒適而典雅幽靜。新古典的優雅嚴謹與新峇厘自然風格的共生，是設計師為屋主夫妻所打造的歸宿，讓喜惡不同風格的兩人體驗共同生活美感的愜意。

With the ingenious design skill, from the perspective of lines, that outlines the great scenery outside the building, the designer makes the living environment of peaceful comfort. The style, combined with elegancy, disciplines and vacation, is what the desired home atmosphere for the couple, who experience the beauty of life.

內外通豁

天光與庭園綠景，用大面落地窗豪爽地邀請光入內，讓空間明亮清爽；另一側特製的收納櫃則展示了精選的藝品，沉穩的在底層空間排序井然，寄宿情懷。氣派拉長的對花大理石石材，垂直突破被限制的樓高，寬闊氣派，同時在挑高一、二層的公共空間中，穩定空間調性，成為最吸引目光匯聚的焦點。

大理石牆背崁燈，縮減了量體面的壓迫，猶如漂浮意境。精緻的深咖啡色皮革低背沙發和樑柱結構的淺棕色外衣，也豐富了陽光隨時間變化下，光澤色調上的層次，尊貴氣質，在女主人偏愛的新古典風格中流露。

A bright space.

The daylight and landscapes of courtyard are introduced inside the residence with the large ceiling windows, which make the indoor space bright and appealing. The customized storage cabinet, with the exquisite art collections, have complete the lower space that is well organized and in orders. The marble stones, in majestic style, make the building higher visually. In the meantime, the public area located on the first and second floor, has brought the space to accordance so that attract people the most.

The recessed lamps, on the marble wall, make heaviness caused by its body less stressful. Both the delicate leather couches, in dark coffee, and the column beams, in light brown, make the interior space vivid where the noble atmosphere reveals the neoclassical style the hostess favors the most.

巧匠精藝

此外，特製而個性鮮明的鋼鐵窗花與大理石柱面，扮演了屋內與室外的中介材質。大力發揮工匠巧思，跳脫制式、推拉不同比例與拉伸向度的幾何矩形，使用重複、連續的組構成面與不同的開啟的方式，分割建築開口部，透與半透之間，圖學式的線條粗細變化，增添創意想像的無限。

餐敘空間在挑高空間中降低天花，鑲崁灰色鏡面，呼應元素一致性，並於中央垂吊簡潔而實虛立體組構的現代燈具，鏡面反射使剛毅鐵件支撐架，如穿透漂浮的天花，產生垂直空間層次的錯視感，並與中島上方的天花板相呼應，趣味十足。

The exquisite craftsmanship.

Meanwhile, the genuine patterns of window grilles and pillars have become the medium material connecting the indoor and outdoor space. By applying the ingenious design skills, the rectangular frames in different scales, and the consistent compositions, the designer has brought the creativity to the highest level by means of the variations of lines and visibility of the space.

In the dining room, the lowered ceiling embedded with grey mirrors and the modern-style dangling lights, have made the space with various visual effects and interacted harmoniously with the ceiling above the bar, the brilliant design of great interest.

摯友鳴響

二樓走道凹間處，擺上典雅沙發座，單調的過道空間因此多了一個沉靜角，轉化從開放逐漸隱私親密的空間性質。視聽室裡簡約清雅與新古典結合共生，與朋友享宴同歡之處， KTV歡唱與影音劇場不同音律的區分，兩種高級的視聽設備，營造歡唱和欣賞歌劇等不同的需求。

The auditorium.

The delicate couch, placed on the turning space on the staircase, brings to the dull space a bit composed atmosphere. The auditorium, in simple but classical style, is the place having fun with friends. The difference, between the KTV and auditorium, is that one is made for recreation and another is made for classical music.

鶼鰈宿情

慢下步伐，卸下疲倦，新潮峇厘島風格在男主人對親近自然的重視下引人入勝，設計師使用溫潤木料、藤編吊椅、清觀音石等自然素材成就臥室空間中的怡然，床頭圍塑安全感的立體木框，沉穩不單調，及俐落收邊天花，是屋主夫妻兩談心賞樂的秘密基地，經營生活情調。開啟大器的鍍鈦旋轉門扇，進入飯店式洗浴間，圓形浴缸裡的芬香，猶如進入SPA療瘉與洗滌一天的塵埃，消除一切的疲憊，這就是家的感覺。

The romantic atmosphere.

After working a whole day, the host comes back to the pleasant home, where the Bali-style environment is made by the designer of the tender woods, rattan hanging chair, guanying rock, etc. that bring into existence the comfortable space. The bedside wood frame, which is composed, and the ceiling, which is clear and sharp, have become the personal space for the couple indulging themselves in joyful atmosphere. The bathroom, furnished with titanium door and round tub, is designed for the couple relieving the stressful workload. This residence, therefore, is what a home should be made for.

碧硯涵設計有限公司  Bi Yan Han DESIGN

陳顥  Hao Chen

主廚知名的柴燒料理與西餐經歷，成為設計師對本案空間創意發想的出發點，逐步構築出充滿戲劇張力的空間劇本。兩層樓的空間，一層規劃為半開放式廚房的吧台料理區和散客座位，並以大型玻璃櫃，展示著令人垂涎的熟成牛肉；二層提供包廂外，設有專屬酒莊特製的高級紅酒櫃。為了呼應原始料理的烹飪理念，空間素材皆以原始工具的概念轉化而成。紅磚構造中，原木、水泥、黑色鐵件與鐵網、柴薪與成綑的牧草，建立顧客對所品嘗食物之歷程的想像，也品味建築空間氛圍的原味之美。

The concept of this project is derived from the chef's catering experience, which can gradually construct the whole space with dramatic life stories. This is an interior project with two stories. On the first floor, the open-ended spatial strategy is tried to define the connection between the chef's bar area and the customer area. There is a huge glass showcase which is the focus in this space, and demonstrates elaborate beef cuisine. On the second floor, the private rooms and the dedicated shelves to demonstrate valuable wines are the main spatial elements. In order to corresponding to the beauty of original food flavor, the materials applied in the space are meant to express original textures. With the basic settlement of bricks, the combination of wood, cement, black iron, metal net and several bunches of pasture can deliver the imagination of primitive atmosphere. The customers can enjoy all the essential flavors in this genuine space.

一樓有趣的大型壁畫和裸燈群，展示原始人火燒的用餐方式，直接帶出空間主題，為準備好大口品嘗美食的顧客們，送出最誘人的邀請。水泥灌漿而成的料理吧台上，顧客正欣賞著主廚的華麗演出，濃烈的肉汁與煙燻香氣在空間中發散，令人身心滿足。而手動式的搖桿爐台則呼應了入口的大門鏽鐵，記下一筆復古而時尚的色彩印象。

The attractive wall painting and the hanging lights are the main statement to define the first floor, which is the metaphor to describe the primitive grilling flavor and is a kind of invitation for the customers ready to enjoy their banquets. The chef bar area made of cement is a stage for the chef to show his gorgeous skills. The Customers will be satisfied in there with all kinds of delicious scents and enjoying the atmosphere. The special iron stove is a resonance with the eroded iron door in entry hall, which is the expression of the vintage style.      

二層，木質地面，以保有自然樹型的曲線拼組，與頂上裸露的暗色風管，對比出木格柵天花的精緻，展現高級餐廳粗曠風格的衝突美感。而最具個性的黑鐵，則以不同比例與形式的「網」結構，在空間中呈現，例如圍塑包廂範圍的半穿透性網牆、客製化的結構座椅，以及水泥吧台區表層的修飾覆蓋網，甚至是垂掛的結構裸燈，都以一致性的元素，增加了空間的豐富層次。美好的餐飲空間，如同一道美妙的佳餚，因此在好的空間中品嘗到絕妙的料理，更是相得益彰。

On the second floor, the conflict aesthetics can be brought out by the combination of the wooden floor, the dark ventilation tubes and the elaborate wooden grille hanging on ceiling. The application of iron material which is the most distinctive detail is presented by several net structures in different scales. The different kinds of iron nets can be seen at the net walls of the private rooms, the special chairs, the decoration of the cement bar counter, and the decoration of the hanging lights. All these can increase various visual effects with the same definition of iron material. The holistic restaurant space can organize the flavors between delicious cuisine and spatial materials, and this is the main goal for this project.